“Winter Forest” (pencil)

“Interior Scene II” (pencil, colored in photoshop)

“Interior Scene I” (pencil, colored in Photoshop)

“Two of Maggie (and Others)” (pencil, colored in Photoshop)

“Concatenation” (pencil, colored in Photoshop)

“Linnea’s Small World” (pencil, colored in Photoshop)

“Linnea’s Small World” (pencil)

“Saddlehead Dog w/ Bird and Blobs” (pencil, colored in Photoshop)

“Isabella” (pencil, colored in Photoshop)

“Past Self” (pencil, colored in Photoshop)

“Past Self” (pencil)

“A Piece for February” (pencil, colored in Photoshop)

“Swirl” (pencil)

“Unicorns” (pencil)

“April” (pencil, colored in Photoshop)

“Winged Muse” (pencil, colored in Photoshop)

“Winged Muse” (pencil)

“Diamond Serpent” (pencil, colored in Photoshop)

“Diamond Serpent” (pencil)

“Nighttime Halo Kitty” (pencil)

“January’s” (pencil, colored in Photoshop)

“Fall Scene” (pencil, colored in Photoshop)

“Phase” (pencil)

“Ashlyn Dreaming” (pencil, colored in Photoshop)

“Bear Nap” (pencil, colored in Photoshop)

“Bunny Dreaming” (pencil)

“Winston with Dog” (pencil, colored in Photoshop)

“Bunny with Cupcakes and Cheese” (pencil, colored in Photoshop)

“Bear and Black Birds” (pencil)

“Penelope and Booboo Participating in Meditative Thought” (pencil, colored in Photoshop)

“Boreal Sisters” (pencil)

“Friday” (pencil, colored in Photoshop)

Additional drawings can be found here.

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Artist Statement

I create drawings depicting an enchanting world inhabited by children and creatures.  Influenced by surrealists and children’s book illustrators, I seek to capture the inner life of my childhood self, exploring themes of introversion, melancholia, dreams and nightmares, and identity formation.

Using pencil, I build this world from outlined shapes and embellish it with gradations of shading and cross hatching. I use a computer to digitally overlay it with color.  Having been an introverted child, I feature characters, mainly girls and animals, with a similar temperament, having them serve as stand ins for my childhood self.  Surrounding these characters, I incorporate architectural and natural imagery inspired by what my childhood self resonated with, such as the medieval structures I would see in children’s fairy tales or the landscapes of my home state of Minnesota.  I arrange these characters and this imagery intuitively, generating symbols and patterns that give this world an associative context and, with that, underlying personal narratives.

Creating these drawings is my way of temporarily escaping the confines of adulthood and revisiting my childhood, a period I find captivating in that it reminds me of how strange and magical life can be.